Three of my paintings have been selected for:
ArtHelix: Life Interrupted
Exhibition is now live on Artsy
www.artsy.net/show/shim-art-network-arthelix-life-interrupted-painting-during-the-pandemicrrupted-painting-during-the-pandemic
ArtHelix: Life Interrupted
Exhibition is now live on Artsy
www.artsy.net/show/shim-art-network-arthelix-life-interrupted-painting-during-the-pandemicrrupted-painting-during-the-pandemic
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Exhibitions
Upcoming:
GALLERY 46,
46 Ashfield St,
Whitechapel,
London E1 2AJ
http://gallery46.co.uk/exhibitions/can-we-ever-know-the-meaning-of-these-objects-8th-22nd-july-2021-curated-by-kevin-quigley-sarah-sparkes/
July 8th - July 22nd
Open 12-6pm Mon-Sat
PRIVATE VIEW:
July 8th 6pm - 9pm
ARTISTS: Eleanor Bowen, Sean Dower, Fieldnotes, Bruce Gilchrist, Caroline Gregory, Bjørn Hatleskog, Luke Jordan, Seulgi Kang, Miyuki Kasahara, Yev Kazannik, Marq Kearey, Calum F Kerr, London Clay Workers Union ( Helen Carr, Sarah Christie, Duncan Hooson and Annette Welch, Diane Eagles, Alison Cooke, Danuta Solowiej, Stephanie Buttle, Jo Pearl, Raewyn Harrison, Jane Millar, Elizabeth Meyer.), Lisa McKendrick, Pol Mclernon, Sean Mclusky, Kevin Quigley, Victoria Rance, James Roseveare, Martin Sexton, Sarah Sparkes, Ian Thompson, Inga Tillere , Marianne Walker, Phill Wilson-Perkin, Mary Yacoob
CAN WE EVER KNOW THE MEANING OF THESE OBJECTS?
A group exhibition exploring the relationship between made objects and found artefacts.
“Archaeologists excavate sites and objects from the past and then write about them; while artists create, and invent objects or situations in the present.." Sarah Scott, World Archaeology Vol. 38, (Taylor & Francis:2018)
'Without the Allure of Objects - we are trapped amidst the swirling black noise of any given sensual space.' Graham Harman, Object-Orientated ontology: A New Theory of Everything (Pelican Books: 2018).
Archaeologists subject artefacts to hierarchical categories - Artists, by re-making and re-imagining objects, activate apocryphal histories, raise the objects' status and bring new perception.
In this group exhibition artists are exploring this imagined intent - to generate new relations between objects and their associations with the world around them.
Upcoming:
GALLERY 46,
46 Ashfield St,
Whitechapel,
London E1 2AJ
http://gallery46.co.uk/exhibitions/can-we-ever-know-the-meaning-of-these-objects-8th-22nd-july-2021-curated-by-kevin-quigley-sarah-sparkes/
July 8th - July 22nd
Open 12-6pm Mon-Sat
PRIVATE VIEW:
July 8th 6pm - 9pm
ARTISTS: Eleanor Bowen, Sean Dower, Fieldnotes, Bruce Gilchrist, Caroline Gregory, Bjørn Hatleskog, Luke Jordan, Seulgi Kang, Miyuki Kasahara, Yev Kazannik, Marq Kearey, Calum F Kerr, London Clay Workers Union ( Helen Carr, Sarah Christie, Duncan Hooson and Annette Welch, Diane Eagles, Alison Cooke, Danuta Solowiej, Stephanie Buttle, Jo Pearl, Raewyn Harrison, Jane Millar, Elizabeth Meyer.), Lisa McKendrick, Pol Mclernon, Sean Mclusky, Kevin Quigley, Victoria Rance, James Roseveare, Martin Sexton, Sarah Sparkes, Ian Thompson, Inga Tillere , Marianne Walker, Phill Wilson-Perkin, Mary Yacoob
CAN WE EVER KNOW THE MEANING OF THESE OBJECTS?
A group exhibition exploring the relationship between made objects and found artefacts.
“Archaeologists excavate sites and objects from the past and then write about them; while artists create, and invent objects or situations in the present.." Sarah Scott, World Archaeology Vol. 38, (Taylor & Francis:2018)
'Without the Allure of Objects - we are trapped amidst the swirling black noise of any given sensual space.' Graham Harman, Object-Orientated ontology: A New Theory of Everything (Pelican Books: 2018).
Archaeologists subject artefacts to hierarchical categories - Artists, by re-making and re-imagining objects, activate apocryphal histories, raise the objects' status and bring new perception.
In this group exhibition artists are exploring this imagined intent - to generate new relations between objects and their associations with the world around them.
